MoMA Exhibitions – Past, Now Showing and Upcoming Shows | Complete Guide

headed to MoMA? Start with the Now Showing floor to maximize your time; this is where their modern approach becomes tangible, and you’ll see how live installations resonate with current interests. Look for wall texts that provide evidence of curatorial decisions and how the space guides your eye toward cross-media conversations.

In the Past Gallery, the cisneros collection loan and pieces linked to patricia offer context for debates on memory and empire. kanakaole works anchor conversations about Indigenous strategies, while their arrangement demonstrates how a single room can reflect shifting historical perspectives. The setup provides evidence of how curatorial decisions toward inclusion shape the modern canon.

The Now Showing slate increasingly features voices from women and Indigenous artists, with a rising percentage of gallery space devoted to immersive media. Look for works that cross painting, sculpture, video, and sound, and see how the curation uses light and room scale to intensify engagement.

Upcoming shows push the experiment further: daring installations, site-specific pieces, and live performances designed to invite viewer participation. The approach centers on accessible engagement toward a clearer sense of what modern art can mean for a 21st-century audience, including spaces that acknowledge rooms that were once destroyed and remade as part of the conversation.

Plan your visit with a strategy: map routes by floor, catch a curator-led talk, and revisit favorite rooms to compare how their connections evolve. kanakaole, cisneros, and patricia pieces may appear across galleries, so keep an eye on cross-room links to maximize the shows’ continuity from past to now showing to upcoming.

MoMA Exhibitions: Past, Now Showing and Upcoming Shows Complete Guide; Honolulu Museum of Art

Plan your MoMA experiences by aligning the current exhibition slate with the Honolulu Museum of Art calendar. December screenings, restored footage, and cross-site talks reward visitors who map a visit across both sites.

Context guides choices: MoMA’s 53rd Street programs anchor historic retrospectives, while Honolulu adds a local lens across film, water, and music showcases. From director Thomas to curator Dharnoncourt, the teams curate selections that showcase archival footage and purchased works, with cross-site exhibitions that feel cohesive rather than separate institutions.

Past, Present, and Future Exhibition Planning for MoMA and Hawaii’s Honolulu Museum of Art

Establish a two-institution planning desk that coordinates three-year cycles and a shared acquisitions fund, clearly defining roles and milestones.

• Governance and staffing: form a joint curatorial committee with representatives from MoMA and the Honolulu Museum of Art, appoint a rotating chair, and assign a dedicated project manager on site. Include architects charles to guide display planning while ensuring flexible floor plans for varying formats.
• Audience value and cultural laboratory: implement a metrics framework to gauge value across audiences and age groups, including pre- and post-visit surveys and community panels. Use laboratory to describe iterative test runs of show design, display order, and education programs.
• Program scope and content mix: design a three-tier itinerary that can be deployed across both venues. Review past strong shows (gauguin, dada, german modernist groups) and works by durell to inform today’s selections; pilot new formats such as mari-led projects and cross-disciplinary installations.
• Site strategy and visitor flow: plan for gallery spaces, outdoor areas, and hybrid experiences that connect traditional paintings with new media. Ensure the floor plan and circulation routes accommodate intimate rooms and large installations.
• Acquisition and conservation: outline criteria for purchased objects, specify cost bands, reserve a portion for gold objects, and build a cross-institution conservation checklist. Include a timeline for pending purchases and routine condition reviews.
• Education and community outreach: schedule programs that connect america with audiences in Hawai’i and across the Pacific, linking U.S. and global contexts. Invite local groups and scholars to participate in programs that feature flowers as a design motif, reinforcing place-based engagement.
• Content partnerships and critics: invite guest curators and critics to contribute essays and guide perspectives on dada, gauguin, and german modernist stays, ensuring clear origin of ideas and cross-cultural circulation.
• Measurement and reporting: track attendance, engagement scores, and net value created for the community. Share quarterly progress on a site dashboard so stakeholders see results across three sites and three-year milestones.

How to verify past MoMA exhibitions and find official dates

Start at moma.org and navigate to Exhibitions > Past exhibitions. Use the year filter or search by title or artist to locate the exact run. The official dates appear on the exhibition page in a Dates block, showing opening and closing days for the museum’s calendar. If a show spans December, note both dates–the archive mirrors MoMA’s current calendar and any extensions.

Cross‑check with the MoMA press releases and Newsroom; these documents confirm the official dates and any changes. Look for a concise date range and a note about extensions or traveling components, which helps you verify the exact timeline beyond the main page.

Inspect the artworks list on the page to confirm which pieces were shown. Each artwork entry includes title, artist, and often a label with the collection source or loans. If a work comes from a collection linked to nelson or cisneros, the page may reference that connection in the labels. For shows with international reach, you may see mentions related to paris or a museo partner in the notes.

Use the histories and interests sections on the exhibition page to understand the scope and context. These details link the show to broader programs and curatorial themes, helping you confirm the continuity of dates across related events and related centers.

Check the multimedia options: video content, curator talks, and gallery tours are often posted alongside the page. Video entries can include captioned dates and contextual notes that corroborate the official run and any in‑person or live events that took place during the exhibition.

Consider the center and partner context: some exhibitions are promoted in collaboration with other institutions, with notes about center locations or co‑presenting venues. The page may reference a specific museo or a partner organization and outline the loan path for artworks, including notes in the current labels that verify the scope of the show.

If you’re tracing a long-running series, look for the 54th entry in the archive index to map a particular edition to its year. This helps you align the exhibition’s dates with the chronology of the seven‑part series and its next installments. When in doubt, search for the show name across MoMA’s site, then corroborate dates across the main page, press notes, and video content to ensure accuracy where the dates appear consistently.

For context on specific works, such as matisse or works tied to collections like buenos or parque references, check the corresponding artwork pages and loan labels; they provide date confirmations and source details that align with the exhibition run. This approach keeps your verification precise and grounded in official MoMA records.

What’s on view now: current MoMA shows, highlights, and ticketing basics

Book timed-entry online at least two weeks ahead for weekend visits; a weekday morning slot helps you see exhibits clearly and leaves time for a short curator interview among the galleries.

MoMA’s current shows span modern roots into contemporary practice, across painting, sculpture, design, and media. The layout connects works via a theme of islands and surrounding environments, including a Hawaii-inspired installation that invites you to picture how space and memory are envisioned in relation to the site.

Top highlights include German modernism pieces paired with key works by Pablo, offering a direct dialogue across decades. A taniguchis-inspired architectural module frames part of the gallery, while dots on the labels guide you through related exhibits so you can compare technique and meaning without missing context. An interview with the curator illuminates the decisions behind each arrangement, and you’ll hear how artistic choices make the overall narrative.

Ticketing basics: general admission covers the core artworks; buy online for timed-entry slots and to reserve popular groupings. Members enter free, students and seniors receive reduced rates, and occasional event days or bundles add options for families or film and music programs. Check the MoMA site for live updates before you go.

Tips to optimize your visit: start with location-specific artistic highlights, then loop back to the dynamic installations that sit near the picture and music galleries. If you want a deeper understanding, look for an on-site interview with a curator and read wall texts that clearly explain how the artworks make sense together. Donations from funds supported by Phelps and Barrs help keep the site vibrant and ensure new works circulate world-wide, including German and Spanish artists such as Pablo, alongside modern pieces that reflect a destroyed urban past and a hopeful artistic future.

Upcoming MoMA shows: release dates, member previews, and planning your trip

Book your tickets now to secure early access to the upcoming MoMA shows and their member previews. Release dates appear on the MoMA events page, and previews typically run in the days before the public openings. Check the calendar weekly, as dates can shift with new acquisitions; the value of planning ahead is clear–you avoid sold-out slots and get first looks during prime hours.

The next exhibits spotlight modernism through paintings, prints, and related works, with pollocks featured alongside madrid-based collections. The displays move toward a broader view of 20th-century practice, arranged as islands of galleries that let you compare tone, technique, and context. Several key works were purchased to strengthen the collection and promoted for study, creating a thread through the culture of the era. You’ll also encounter video pieces and flowers in some installations that turn toward nature as a counterpoint to abstraction.

MoMA also hosts a dedicated curatorial laboratory area where you can read labels, watch short video conversations, and inspect primary source materials. The borders between galleries shift as you walk from one wing to another, helping you see how they connect toward a continuous narrative of modernism and its turning points in culture–and how they changed over time.

Planning your trip is straightforward: choose an afternoon visit to enjoy lighter crowds or plan a night opening if available for a different mood. The midtown location near rockefeller Center makes it convenient to combine a MoMA stop with a stroll through the neighborhood. If you want maximum flexibility, pick a single pass that covers the current shows and check for free talks or events that accompany previews. For travelers coming from outside midtown, consider transit options that keep you in the core of the city, then return again in a few weeks to see new displays or updated installations. The choice is yours: you can savor classic paintings and prints or explore newer video-based works, all within a few blocks of the cultural heart of the city.

Aligning MoMA and Honolulu Museum of Art calendars: overlapping dates and joint programs

Coordinate a shared, twelve-month calendar between MoMA and the Honolulu Museum of Art and lock overlapping dates six months in advance. Create a central planning file that is updated quarterly, with floor plans showing where each show will be displayed and which spaces are reserved for joint programs.

Recommendation to start now:

• Form a joint calendar committee led by MoMA’s chairman and Thomas from HMA as co-leads; this team negotiates dates, venues, and press outreach, ensuring consistency across both institutions.
• Publish a consolidated “promoted events” schedule that blends exhibitions, live talks, and education programs, so partners and publics see a bigger, unified idea rather than two separate calendars.
• Use a single, shared calendar view to identify overlaps for the inaugural cross-venue displays and for showing opportunities that benefit both spaces.

Overlapping dates and joint-program ideas to maximize impact:

• Gauguin-focused pairings: a gauguin retrospective at MoMA paired with a related arte or photograph display at HMA in adjacent spaces on the same floor, creating a historic dialogue about civilization and modern art.
• Live programs and talks: co-hosted lectures with scholars and practitioners; live stream options to broaden America-wide reach while maintaining a local experience on both floors.
• Retrospective collaborations: combine a historic survey at one venue with a complementary display at the other, telling a complete story across spaces and times.
• Display coordination: ensureDisplayed works from each show are scheduled to avoid conflicts on the same day, maximizing foot traffic and flow in the spaces.
• Art and arte cross-pollination: pair sculpture-focused displays with arte-centered talks, linking objects with their cultural contexts in a cohesive, future-facing narrative.

Operational tactics to align calendars and programs:

1. Floor and spaces: map each exhibition to the best-fit galleries, with clear signage indicating joint programs and cross-venue tickets; plan shirt and staff disclosures so guides can point visitors to related shows in real time.
2. Timelines: set a four-quarter cycle for joint exhibitions, with entry points labeled as inaugural, preview, opening, and closing phases to keep audiences engaged.
3. Marketing and gifts: coordinate cross-promotion across newsletters, social, and campus signage; promote gifts and catalog bundles that cover both venues, driving total attendance and merchandise sales.
4. Education and community: design shared family programs and teacher resources that connect MoMA’s offerings with HMA’s audiences, emphasizing interactive activities in both floor spaces.
5. Staff and accessibility: align accessibility services, tours, and tactile guides; ensure the shirt and badge systems clearly indicate joint-program access points for visitors.

Measurement, reporting, and ongoing tweaks:

• Track total attendance, cross-venue ticketing, and membership conversions; compare periods with overlapping programming to non-overlap seasons to quantify value.
• Capture qualitative feedback from visitors about the shared experience, noting which combinations–Gauguin, arte, photograph, sculpture–resonate most with audiences.
• Monthly rundowns tell the team what worked, what surprised patrons, and where to adjust space allocations or dates for future shows.
• Maintain a living schedule that the chairman, Thomas, and curatorial leads review quarterly; adjust floor allocations, spaces, and program picks based on demand and capacity constraints.

Practical example of a coordinated cycle:

1. January–March: inaugur al cross-venue display on Gauguin, with a spring live talk series and a retrospective companion at HMA.
2. April–June: showcase sculpture and arte highlights from both collections; display photographed works to pair with a broader civilization theme.
3. July–September: summer programs featuring America-focused scholars; cross-promoted exhibitions reach a wider audience with bundled tickets.
4. October–December: wrap-up with a joint catalog and gifts edition highlighting the year’s collaborations, a retrospective summary, and plans for the future.

Key benefits to emphasize in communications:

• Historic opportunities that tell a shared story across floors and spaces, promoting an expansive idea of American and global civilization.
• A bigger audience footprint through live programming, co-branded materials, and joint media promotions.
• A clear, total experience for visitors, from the first display of arte to the last photograph in the linked programs.

Visit planning basics: hours, directions, accessibility, and pricing for both museums

Buy tickets online in advance to save time and headed to MoMA and MoMA PS1 with a precise plan for hours, directions, accessibility, and pricing. Discover a constellation of images and works across rooms where Cassatts, Brancusi, Mangold, and photograph displays invite close looking. The Abby Aldrich Rockefeller Sculpture Garden provides a calm break between galleries, helping you weave through a great variety of cultural highlights, from classics to newer commissions.

MoMA (Manhattan) typically operates with hours in the tens of minutes after opening, often 10:30–17:30, with extended hours on some days. Check the current schedule before you visit. The main entrance sits at 11 West 53rd Street; from midtown you can reach it quickly by taking the E train to 5th Ave/53rd St or the B/D/F/M to 47–50th St–Rockefeller Center, then a short walk headed toward the gallery doors. The building’s steel and glass exterior sits in a cultural corridor lined with shops, restaurants, and the garden edges of Rockefeller Center, making it easy to combine a visit with other city sights. The architect yoshio’s influence is visible in the design language that guides your steps from street to gallery.

MoMA PS1 in Long Island City generally runs 12:00–18:00 on most days when open, with some seasonal variations. From Manhattan you can ride the 7 train to Court Square or use the E/M/G lines to nearby stops and walk to the entrance at 22–25 45th Ave. The walk links industrial-adjacent spaces with intimate rooms where contemporary voices–often rotating–are presented in a warehouse‑style setting that feels different from the main MoMA building but keeps the same spirit of discovery.

Accessibility for both venues includes step-free entrances, elevators to all public floors, accessible restrooms, and staff ready to help with directions and seating. Wheelchairs are available if you need one, and hearing assistance devices can be provided on request. Signage is clear, and staff can arrange ASL interpretation or guided experiences if you contact the museum ahead of time. If you or someone in your party uses a service animal, both sites accommodate this as well.

Pricing and value: MoMA’s standard adult admission is typically in the range of a paid entry that supports the permanent and rotating programs; reduced rates apply for seniors and students, with free entry for accompanying children under a certain age and for members. MoMA PS1 offers a lower entry price, with discounts for students and seniors and free entry for children in some cases. To maximize value, save time by purchasing online timed-entry tickets and consider a membership if you plan multiple visits or want to support the institutions’ broader initiatives–this can turn your visit into an ongoing opportunity to discover new works, from Brancusi to Mangold collections and current installations.

Current options and policies can change; always verify hours, directions, accessibility specifics, and pricing on the official MoMA and MoMA PS1 sites before you go.